"I became a designer so people would come to me with their problems. Then I can be creative." Tru'dat, Michael.

Playback is committed to creating clothes from recycled materials, guaranteeing that their entire process–not just the concept– is environmentally-friendly.

"Partner shuts the lid of laptop on your fingers."

'Nough said.

As I gain more experience in design–both in education and hands-on work– I've realized the importance of designers to have hobbies and interests that expand beyond design. Dancing, cooking, gardening, gaming… there are countless ways to diversify your design thinking, and it starts with diversifying your free-time. For the same reason, I think it's important that designers think beyond 'making something pretty' when given any task (be it in school or at a job). Force yourself to think beyond what you know, bringing to the table your individualized skill set; eventually (if they don't already), colleagues will recognize your importance in the grand scheme of any problem, and your assistance will expand beyond the surface.

The new U.S.-Canada border crossing station at Massena, NY, as seen from the Canadian side.
Photo by Michael Moran.

In a move that makes designers cringe, the Customs and Border Protection Agency is dismantling a stunning piece of design: 21 ft tall letters adorning the entry to the United States in Massena, NY. Arguing that this sign could serve as a giant target for terrorists I'd retort: have you heard of Google Earth? This example reiterates that in order for a design solution to be successful, there needs to be a comprehensive understanding of the problem reached by all invested parties. Of course, no solution is perfect, and inevitably some stakeholder always gets overlooked. So how do we avoid this pitfall? When designing public art in an age of participation and paranoia, flexibility is absolutely essential. I wonder, had this sign been designed with lights and/or projections, would it have been able to adapt according to the desires of the Border Control? What if the letterforms change based on the viewer's positioning, camouflaging themselves from any angle other than that of an individual crossing the border? Perhaps the signage could be used to welcomed each individual by name as they passed through, thus deterring illegitimate activity. I wonder what other ideas that exhibit flexibility and adaptation could have allowed the design to pass through customs?

Basically, the no excuses schools pay meticulous attention to behavior and attitudes. They teach students how to look at the person who is talking, how to shake hands. These schools are academically rigorous and college-focused.

Harlem Children's Zone, a holistic system of education, social-service and community-building programs aimed at helping the children and families in a 97-block area of Central Harlem, produces results that we are looking for in education. The results are measurable, significant, and life-changing for the students and provides hopeful evidence that our educational system can be reformed. [http://www.hcz.org/programs]

This is amazingly sick. Like I tell my students: Find inspiration everywhere, and make a design project out of anything.